Tuesday, March 24, 2009

Christian Gilliard

Langston Hughes
A Dream Deferred
by Langston Hughes
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore--
And then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?

James Mercer Langston Hughes was born Feb. 1, 1902. He was a famous poet, novelist, playwright, short story writer, and columnist. Hughes is best-known for his work during the Harlem Renaissance.

As one of the founders of the cultural movement known as the Harlem Renaissance, which he practically defined in his essay, ‘The Negro Artist and the Radical Mountain’ (1926), he was innovative in his use of jazz rhythms and dialect to depict the life of urban blacks in his poetry, stories, and plays. Having provided the lyrics for the musical Street Scene (1947) and the play that inspired the opera Troubled Island (1949), in the 1960s he returned to the stage with works that drew on black gospel music, such as Black Nativity (1961).

A prolific writer for four decades, he abandoned the Marxism of his youth, but never gave up protesting the injustices committed against his fellow African Americans. Among his most popular creations was Jesse B Semple, better known as ‘Simple’, a black Everyman featured in the syndicated column he began in 1942 for the Chicago Defender.

In his later years, Hughes completed a two-volume autobiography and edited anthologies and pictorial volumes. Because he often employed humor and seldom portrayed or endorsed violent confrontations, he was for some years disregarded as a model by black writers, but by the 1980s he was being reappraised and was newly appreciated as a significant voice of African Americans.

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